
Students clap and dance along to the music of the Cincinnati
Klezmer Project.
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Today was also the first day of “Smorgs.”
Short for Smorgasbord, Smorgs offer students from all
disciplines the opportunity to experience another art form for
an hour after lunch. Students are asked to sign up for at least
three different Smorgs during GSA, and today they got to choose
from:
The Wonderful World of African Music: taught
by Scott Locke
Mystery and Mayhem: Music for the Films of
Alfred Hitchcock: taught by Joanna Binford
So, You’ve Always Wanted to Play the Piano:
taught by Don Speer
Writing Your Own Music: taught by Rich Byrd
Today I got to sit in on the last part of a Creative Writing
Workshop taught by Mitchell Douglas. When I came in, Creative
Writing faculty member Ellen Hagan whispered to me, “We’re
writing about names,” and offered me a piece of paper, but today
I just observed. Some of the students read their poems aloud and
I recognized them as the names I had been typing into Excel
spreadsheets for weeks now—they chose a name, someone in the
room, and wrote a poem describing what that name sounded like or
who the person with that name was. Mr. Douglas asked a student
to repeat the last line of her poem and repeated it, “Wraps you
up like a blanket,” he said, “that’s a wonderful image.” There
were many wonderful images in the poems they read, so I can only
imagine what their writing will be like at the end of these
three weeks.
When I walked into the Architecture
workspace, faculty member Jeff Rawlins told me what the students
were doing. There was a giant tarp in the middle protecting the
floor from what I knew must be “the moped” everyone had been
talking about. The Architecture faculty had found an old moped
and brought it in for the students to take apart. Many of the
students had never done anything like this, but realized that
they learned a lot about the machine by taking it apart. They
then put the pieces into systems and made many study drawings
before breaking into groups and designing cities with the pieces
they grabbed. I noticed the drawings on the wall and was taken
aback by how stunning they were, and when I asked a couple of
the students which ones were theirs I was surprised to hear,
“well, they’re all kind of ours.” Mr. Rawlins explained that
before they took apart the moped they had the students draw it,
and the faculty noticed the different ways the students
approached the drawing. Some were drawing the whole form, but
others were focusing on smaller details. Seeing this, the
faculty announced, “Okay! Now pass your drawing down eight
spaces!” From an entirely different viewpoint, the next student
took up the drawing he or she was handed. When the faculty
noticed that some students were only using the charcoal while
others were working with pencil, they told the students to pass
their drawings again. I was blown away by
all of the drawings
hanging on the wall.
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